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Like Waseem Ahmed’s current stance, the conversation waves boundlessly where we contemplate, reject, accept and wonder over the contradictions and colors of society and art practice. Ahmed shares how during the Green Island International Human Rights Artist’s Workshop, Taiwan, in 2007, certain experiences were unforgettable; for instance, when during their presentations a French artist decided to address the audience in French and not in English although she could speak in English. It caused great dismay and difficulty because it had to be interpreted in English for everyone else.
For example: an article on Shopping Designer Clothes should lead to an article on designer clothes. Broken links and links that lead to websites under construction are not allowed. Articles with such links will be rejected. This paper draws upon discourse analytic techniques and discursive psychology to examine how care workers build accounts of viewing the BBC Panorama programme Undercover Care: The Abuse Exposed which graphically documented the abuse of people with learning disabilities in a residential care setting. 56 interviews were conducted as part of a project concerning adult safeguarding. The analysis considers how careworkers report their reactions and the interactional strategies they use to construct themselves as shocked and disbelieving and thus, as oppositional to the extreme practices in the programme.
Among my many nephews and nieces in Mexico, the rock acts Nirvana, Ozzy Osbourne, Pantera, Guns Roses, Bon Jovi, the Beatles, Led Zeppelin, and Marilyn Manson are personal favorites. One might be inclined to read such musical tastes as confirmation of the reality of Anglo cultural imperialism. But at one point in Refried Elvis: The Rise of the Mexican Counterculture, in which Eric Zolov traces the emergence of rock music in Mexico, Zolov suggests that in our efforts to make sense of the place of Anglo music in Mexican society and culture, must avoid falling into the doctrinaire cultural imperialist argument that presumes a mass of passive consumers of foreign culture, absorbing the aesthetic and ideological implications of a foreign rock (184).
Background: The developing world accounts for 99% of global maternal deaths. Men in developing countries are the chief decision makers, determining women’s access to maternal health services and influencing their health outcomes. At present, it is unclear whether involving men in maternal health can improve maternal outcomes.