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I wanted to ask Harrison about his involvement with Ives’s music, about his relationship with Ives, and what lessons he had taken from him. In the course of our conversation, though, questions regarding Harrison’s own compositional processes came to the foreground, and I became intrigued by how Harrison conceptualized and communicated his relationship with non western musics. Did his engagement with Asian musical traditions constitute a type of orientalism, or colonialism of musical practices? And what, if any, was the relationship between this appropriation of non western musical identities with Harrison’s homosexuality?.